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Posts posted by rgarza
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I would also add that I don’t think pictures really do this building justice. Until you’ve seen it in person, I wouldn’t rush to make any judgements. In every video I’ve seen, Mr. Holl waxes poetic about light being so important for his structures and it is absolutely true with this one. The building changes as the light changes. It looks different on a cloudy day versus a sunny one. Even the angle of the sunlight changing throughout the day creates subtle and (I think) beautiful differences from morning to evening. I may be biased because I’ve literally put blood, sweat, and tears into it, but I think this building is beautiful and has definitely been a once in a lifetime project for me.
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2 hours ago, DarklyMoron said:
Will you be working on the Ismaili center? Willard Holmes said that was the next big project for McCarthy.
Unfortunately not. I worked for the subcontractor that installed the cool jacket tube glass, the clerestory glass, and the curtain walls around the building.
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5 hours ago, DarklyMoron said:
There's another video, but I can't figure-out how to embed it.
https://player.vimeo.com/video/477299958
It’s so surreal to see years of hard work condensed down to thirty seconds!
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1 hour ago, DarklyMoron said:
Yes. Water should rush in and drain-out. Sure hope those skylights are sealed well!
Skylights have been in place since last year and no leaks yet. It’s a pretty sure bet that they’re watertight. The piece will have water in it permanently, if I’m not mistaken.
*permanently, as in, it will periodically fill with water and then drain.
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@DarklyMoron thanks, I was just calling that one “I’ve fallen and I can’t get up” but I guess “La Riviére” is a good name, too. And yes, the Iglesias work has skylights to the atrium below.
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13 minutes ago, hindesky said:
@rgarza Cristina Iglesias is the artist for the rock structure near the entrance or the statue in the endless pool?
The rock structure. I’m not sure who did the statue in the pool.
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@hindesky yes, it’s all bronze sculpted to look like rock with tree roots/limbs throughout. If I understood correctly, it’s modeled after an actual place somewhere in Spain, but Spanish from an actual Spaniard is a little hard for my Tejano ears to parse 😁 especially with needle guns, heavy equipment, and traffic in the background!
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@hindesky it’s a bronze piece by Cristina Iglesias. You can see some work of hers online that’s similar to this one. The tent is to keep leaves and other detritus out until they finish welding, grinding, painting, and finishing it. Two more weeks until the grand opening!
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I’m not sure about angle changing the light picture @X.R., but the first one was taken on an especially cloudy day and with the interior lights on. Last two were taken yesterday with no interior lights on. So I guess it just depends on time of day, cloud cover, etc.
In regards to the avant-garde art installation, the yellow cylindrical one is actually an interactive piece in which the public is able to add whatever they want to the piece. I believe it’s called “Your Mama Doesn’t Work Here”
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1 hour ago, hindesky said:First and second floor galleries are pretty much done and have art installed. Third floor is nearing completion and should see art being moved in probably this week. Missing tube glass should be here first week of November. I’m so excited for everyone else to see this building. We’ve worked so hard to get to this point and it’s gratifying to see the excitement in the larger community!
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48 minutes ago, Houston19514 said:
No. Mid-2017. I saw they mentioned 2015 in that video (later they refer to 2017). I suspect 2015 is when they started the overall project (i.e., started redevelopment of the Glassell)
This is correct. 2015 is when they started the overall project, starting with the Glassell school. There have been numerous unforeseen delays (Harvey, COVID, etc.) that have made this into a five year project instead of the originally projected 2019 date.
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20 minutes ago, MarathonMan said:
The model/rendering looks cool. I’m still bummed that the most interesting aspect of the exterior design (imho) — the roof — will go largely unseen. Although, it should translate to a spectacular ceiling on the inside.
Best view of the roof will be from the top of the Glassel School, and you’re right about the interior ceilings - spectacular!
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41 minutes ago, MidCenturyMoldy said:
Looks about right. The only difference I can see is there is no longer a canopy at the entrance. Also, when I saw it lit up the light wasn’t quite that bright white, but I think this does give a good idea of what it’ll look like.
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On 9/22/2020 at 3:15 PM, clutchcity94 said:
@rgarza When do you think y’all will be testing the illuminated tubes at night...anytime soon? Would love to see how it looks lit up!Not sure. They were lighting up at night for a while but stopped recently. Not too sure why, but I can assure you it does look pretty cool when it’s lit up.
14 hours ago, cloud713 said:
Have they moved in the Kusama room?Yes, I saw it out of the corner of my eye as I was walking by last week and was instantly mesmerized. And that was just from seeing through the door from twenty feet away!
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2 hours ago, mls1202 said:
rgarza, do you know what material the curved ceilings are made of? In some pics it looks like fabric sails (with what looks like grommets along the edge), while others look like plaster.
It’s plaster. Fabric sails would’ve been cool, but I imagine it’d be a nightmare to keep clean.
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Quick update from the inside, museum staff have started moving in. There’s still quite a bit to do, but they are starting to move some art into the building. Of course, it’s not on display yet, but it is there! Barring any other major setbacks due to hurricanes or whatever, I think the new opening date is entirely doable.
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Clear glass looking out from the café entrance. Sorry to burst people’s bubbles but this is the only clear tube glass on the building. Everything else that people are seeing is just the play of shadows from other parts of the structure and some wishful thinking. What you see is what you get here (besides the broken tubes still in need of replacement)
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I wouldn’t get too excited about the fence coming down. As far as I know, that was just a temporary measure taken when it looked like Laura was headed right for us (also note the sandbags at the doors). Fences should be back up in the next few days.
As for the clear tube glass, I can take it or leave it. It looks nice from a distance, but up close shows all of the support steel, which just isn’t very pretty to my eye. If the entire facade was clear, the support steel would be visible throughout and I think it’d kill whatever beauty was gained from the look of the clear glass. I much prefer the frosted glass. It gives it much more of a cloud-like appearance (which was the architect’s intent, if I’m not mistaken). I’m not sure of the significance of this area, except that it’s one of the entrances and each entrance to the building is unique in some way.- 6
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Museum Of Fine Arts Houston At 1001 Bissonnet St.
in Museum District/Hermann Park/Rice University area
Posted
https://www.mfah.org/exhibitions/steven-holl-making-architecture